lady jane

oh heyyy 1986.

i just spent the last half of my night watching the historical biopic lady jane. trevor nunn (a theatrical director with little film credit besides this) interprets the true historical account of lady jane grey, queen of england for nine days sometime in the 1500s, as a love story. but a tragic one--as in england, in the 1500s, political intrigue often leads to beheadings, and so it does here. but in this case it apparently also leads to cary elwes (as her husband, guilford) making faces like this:

hotttt.

most of the 2 hours and 20 minutes of lady jane are helena bonham carter (who stars as jane) lookin' like an awkward bird. at this stage in her career, she hasn't fully grown into her acting skills or her face. sometimes she's just a pair of eyebrows. but in this role, i think it works. the character [jane, that is] is an awkward, bookish, sheltered young girl who finds herself both married and in line for the throne of england in a very short amount of time.

for me, the best part was the first half, which i found to be cinematographically brilliant. the movie opens with an extended winter hunting scene that is achingly beautiful, reminiscent of the bayeux tapestry or breugel's hunters in the snow. it sets the perfect tone for the rest of the film.

somewhere in the middle there is a time that captures the spirit of the best part of jane and guilford's fictionalized life: the time when they were together, and in love, and alone. in one scene, jane wears a nightgown and man's boots in the dining room, where the lovers pass up their obligations and smash glass goblets for wishes. it's beautifully executed; the young actors somehow portray both the intensity and the silliness of their situation.

however, some parts seemed awkward or stilted, particularly the dialogue thorughout. but, like helena bonham carter's early acting skills, it worked. a sexually tense scene finds helena bonham carter explaining protestantism to cary elwes while he stares unabashedly at her breasts. but when they kissed i still found it sweet and true.

after they inevitably fell in love, my interest in the plot lagged and mingled with the usual sense of dread that comes with watching a movie based on irreversible historical fact. it was still, surprisingly, interesting, though, shifting the focus towards the short, idyllic reign of jane and guilford. they run about the palace giggling, they give the royal wardrobe to the poor, and they re-issue the shilling with its former worth in silver. they live out the political ideals they once smashed goblets for. it's revolutionary, a little, like secretly they were sort of hippies long before their time.

in they end they, of course, die, as we all knew going in they would. and the question i ask myself everytime i watch a movie like this is answered by a line uttered by jane, "well still." so the lovers die and the throne is taken by bloody mary, who will undo what good has been done, but jane and guilford were together and they changed things and they smashed goblets and ran around a palace and made promises and loved. well still.

3.5/5 stars. it's worth the experience. and if you aren't convinced to watch it now, consider this:

cary elwes is unapologetically adorable. also it's on netflix instant play.